Browsing: bioenergy

Currents

During the workshop, she will begin by looking at some key scientific aspects of the neurobiology of touch and how they relate to the diverse uses of touch in Biodynamic psychology. Scientific findings
underpin our understanding of the use of touch clinically. She will explore an updated understanding of the place of touch in the therapeutic encounter, referencing current research on the neuroscience of touch, affective touch, attachment, and trauma using clinical examples and integrated experiential work.

She will pay attention to the phenomena of embodied transference, countertransference, resonance and interference (Boadella, 1981) whilst negotiating the dilemma: to touch or not to touch, and, if to touch, how to touch. Exploring how we as psychotherapists can “hold the possibility of touch, as it can be both an appropriate or inappropriate therapeutic intervention” (Asheri, 2009 page 108).

Somatic Psychology

What if you were guided in real-time not only through technique but also via feedback from the client’s autonomous nervous system—objective feedback from the client’s body, as well as what the client volunteers about his/her body and intuition during your therapy sessions?

Sound mechanistic? Perhaps too medically invasive?

In truth, it is possible to humanly obtain immediate feedback from the body, using a stethoscope (an electronic or ordinary one) to listen to the clients’ digestive system’s sounds, the psychoperistalsis. The sounds we hear reveal intriguing information about the level of accuracy, quality, and attunement of the touch we’re applying.

Somatic Psychology

I entered my room. I like my therapy room. It is large, spacious and
painted in my favourite colours: dark aubergine, purple and lilac. It is not the exact shade of lilac I envisioned when describing it to the decorator, but I like it now; the touch of pinkish lilac makes me feel softer, warmer. A dash of green lawn hides beyond the azure curtains.

What did my client say yesterday? That it was the first time she had noticed that the walls of my room are pink. So many times she had been in this room – for how many years now? Over two years, almost every fortnight; over fifty sessions of at least one hour each. But still she hadn’t noticed the pink walls, despite being artistic. In her work she employs a great deal of awareness regarding the nature of colour and the slight differences between shades.