Every particular landscape of events in the therapy room and events that are surrounding this time, act as a microcosm of the universe of the intersubjectivity of the two people in the room. The web of phenomena can be described as multi parallel levels and patterns of balance and flux that we can relate to as phenomenological research.
Short Stories from the Biodynamic Psychotherapy Room: Salutogenesis and the Web of Dynamic Phenomena
Learning biodynamic massage means learning to sense and direct non-verbal processes in a partially conscious manner, to transform some of the subcortical processes of the dance into partially conscious processes.
When a good enough mother plays with her baby, a complex reciprocal ‘dance’ unfolds, consisting of touch, observation, movements, the quality of movements, the words and prosody, the pace, and the nature of the words and sounds.
Short Stories from the Biodynamic Psychotherapy Room: What Makes Biodynamic Massage Psychotherapeutic?
Gerda Boyesen, the founder of Biodynamic Psychology, used to say that the therapist needs to be like Sherlock Holmes and observe the details, be curious about the parts of the puzzle that the person and the situation are made of and ask yourself questions. I call this puzzle the web of phenomena.
What if you were guided in real-time not only through technique but also via feedback from the client’s autonomous nervous system—objective feedback from the client’s body, as well as what the client volunteers about his/her body and intuition during your therapy sessions?
Sound mechanistic? Perhaps too medically invasive?
In truth, it is possible to humanly obtain immediate feedback from the body, using a stethoscope (an electronic or ordinary one) to listen to the clients’ digestive system’s sounds, the psychoperistalsis. The sounds we hear reveal intriguing information about the level of accuracy, quality, and attunement of the touch we’re applying.
I entered my room. I like my therapy room. It is large, spacious and
painted in my favourite colours: dark aubergine, purple and lilac. It is not the exact shade of lilac I envisioned when describing it to the decorator, but I like it now; the touch of pinkish lilac makes me feel softer, warmer. A dash of green lawn hides beyond the azure curtains.
What did my client say yesterday? That it was the first time she had noticed that the walls of my room are pink. So many times she had been in this room – for how many years now? Over two years, almost every fortnight; over fifty sessions of at least one hour each. But still she hadn’t noticed the pink walls, despite being artistic. In her work she employs a great deal of awareness regarding the nature of colour and the slight differences between shades.